Recently, a young African-American reader told me she did not see herself in the covers of HUMANITIES.
From the vaulted arch to Celebrating Freedom.
From questions of legacy to a writer's talents for cinema review and scene-making.
Oberlin, Ohio, becomes unlikely point of convergence in this issue.
In this issue we take in the legacies of two celebrated Americans, whose love of country was profoundly qualified. Robert E.
How is it that our culture has studied and written and published large libraries’ worth of new books on the Civil War, and yet reading Drew Gilpin Faust, this year’s Jefferson Lecturer, is like discov
In this issue, we honor the 2010 Humanities Medalists.
Many of us will contemplate the Civil War during the sesquicentennial, and Randall Fuller inaugurates the proceedings with a study of how the war changed the poetry of Walt Whitman.
Here’s a scary thought on the eve of the Civil War sesquicentennial: In the 1860 election, Abraham Lincoln was utterly beatable.
The great fear of those in the business of promoting the humanities is that people will realize we have nothing new to say.
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What Sets Italian Americans Off From Other Immigrants?
Family and work for starters, according to a new TV documentary.
By Vincent J. Cannato
The Strange Politics of Gertrude Stein
Was the den mother of modernism a fascist?
By Barbara Will
King Andrew and the Bank
Andrew Jackson stares down the national bank and wins.
By Daniel Feller
The Quiet Greatness of Eudora Welty
Even toward the end of her life, the writer revealed a youthful zest for life and art.
By Danny Heitman
Why Spinoza Was Excommunicated
Before writing a single book, Bento de Spinoza was considered a dangerous thinker
By Steven Nadler
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