Anna Deavere Smith delivers the 44th Jefferson Lecture in the Humanities
There is pleasure to be had in looking to the past for examples of the familiar or near familiar. But one can also look to it for a good blast of the freaky, the strange, and the unrecognizable.
The Exhibition Hall at the Wagner Free Institute of Science in Philadelphia, with its original systematic scheme of cherry-wood cabinets dating from the 1880s, provides a rare view of a Victorian scie
It would be hard to imagine anyone more learned about the German spoken today in central Texas than Hans Boas.
First of all, they are not even French. Second, they’re hardly household names.
Mention the International Longshore and Warehouse Union and what comes to mind are workers heaving bales along a waterfront, operating straddle carriers shipside, or driving winches above break bulk c
Perched in its launch aft of the cargo ship MV Maersk Alabama, the small, orange vessel in which Captain Richard Phillips spent five tense days last year as the hostage of Somali pirates, loo
Cortez’s conquest of the Aztecs, the Seven Deadly Sins, and Mexican Independence are among the many themes of the masked dances of the Nahua Indians of central Mexico.
Four Acrobats, the mid nineteenth-century Indian miniature, was once part of an ordered series of paintings, each of which corresponded to one of the melodic modes—or rāga—of classical Indian music.
John Ernst Worrell Keely was, in his own words, “the greatest humbug of the nineteenth century.” The perpetrator of a long-running and remarkably elaborate pseudoscientific scam, Keely convinced numer
This diminutive steamer, christened the SL Puffin, began life in 1906 as a 5-horsepower gasoline-powered launch.
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