Walter Isaacson to deliver the lecture on May 12.
Tickets available starting April 22. Learn More »
By Anna Maria Gillis |
HUMANITIES, January/February 2012 | Volume 33, Number 4
+ Click on image to enlarge.
John Hampson dabbled in the natural world, which meant capturing beetles, moths, and butterflies. Instead of mounting them, Hampson created art that depicted, among other subjects, George Washington. A machinist, Hampson had the “delicacy of a surgeon’s touch,” according to the Newark Evening News in February 1923. He took “gaudily winged little insects and fashioned them into designs and pictures, rivaling the minute patchwork and samplers of years ago for intricacy and patience consumed, but exceeding any of these in coloration.” Hampson’s mosaics are now in St. Johnsbury, Vermont, at the Fairbanks Museum & Planetarium, which has received an NEH preservation assistance grant.
Courtesy Jenks Studio, St. Johnsbury, VT
Detail of Hampson's mosaic
Who Was Westbrook Pegler?
Letters From Robert E. Lee
This Land Is Our Land
How Did Robert E. Lee Become an American Icon?
Reading Into the Great Depression
read the latest issue
Subscribe To Humanities Magazine Now!
Humboldt in the New World
Journeying through South America, Alexander von Humboldt sought nothing less than "the unity of nature."
By Anna Maria Gillis
Done with Tolstoy
Famed translators Pevear and Volokhonsky reach another milestone.
By Kevin Mahnken
A Workingman's Poet
Frankness and plain speaking made Carl Sandburg a celebrity.
By Danny Heitman
The Blue Humanities
In studying the sea, we are returning to our beginnings.
By John R. Gillis
Ralph Waldo Emerson
What accounts for Emerson's endurance as a writer?
for the Humanities
1100 Pennsylvania Ave., NW
Washington, D.C. 20506