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Tune In Tuesdays: Voices of Change: Preserving Radio Haiti

July 5, 2016
Jean Dominique at a microphone
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Jean Dominique at the microphone.

Image courtesy of Michèle Montas.

This post is part of our “Tune In Tuesdays” series, highlighting some of the projects NEH has supported to preserve and provide access to rich audiovisual materials important to humanities research, teaching, and the public interest.

The exterior of the Radio Haiti building in the 1980s.
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The exterior of the Radio Haiti building in the 1980s.

Image courtesy of the Rubenstein Rare Book and Manuscript Library at Duke University.

One of Radio Haiti's 1/4-inch reels, before and after cleaning and preservation.
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One of Radio Haiti's 1/4-inch open reels, before and after cleaning and preservation.

Image courtesy of the Rubenstein Rare Book and Manuscript Library at Duke University.

“Haiti No Longer Suffers in Silence,” reads the title of a 1986 Newsday piece by human rights activists Jean L. Dominique, longtime director of Radio Haiti, and attorney Arthur C. Helton.  Founded in 1935, Radio Haiti was the first independent radio station in Haiti, a country unique as the only nation ever established by a successful slave rebellion and the first independent nation in Latin America and the Caribbean.  Reporting in Haitian Creole (a language spoken by 90% of the Haitian population) as well as French, the station tracked the transition from dictatorship to democracy on the island and sought liberty, grassroots democracy, and freedom of expression while celebrating life in Haiti.

Student assistant Tanya Thomas and Project Archivist Laura Wagner.
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Student assistant Tanya Thomas and Project Archivist Laura Wagner describing Radio Haiti audio.

Image courtesy of the Rubenstein Rare Book and Manuscript Library at Duke University.

Some of Radio Haiti's cassette tapes.
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Some of Radio Haiti's cassette tapes. Face à l'Opinion was one of their in-depth interview series, hosted by Jean Dominique.

Image courtesy of the Rubenstein Rare Book and Manuscript Library at Duke University.

The station broadcast from 6am to 10pm each day, covering events, culture, interviews, political analysis, and roundtable discussions.  Programs depict political strife and instability in Haiti during several tumultuous decades beginning with the 1960s, reporting from both the dangerous “no go” areas of Port-au-Prince to the subsistence-farming countryside.  Radio Haiti and its reporters did not escape this turmoil, and the station’s harrowing history includes destruction of its offices, closures, arrests, forced exiles, and the killing of owner Jean Dominique.  All the while, the station’s broadcasts also covered Haiti’s rich cultural heritage including art, literature, painting, and music.  Radio Haiti was finally shuttered in 2002, two years after the assassination of its founder.

Jean Dominique and Michèle Montas in 1995.
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Jean Dominique and wife Michèle Montas in 1995, on the sixtieth anniversary of Radio Haiti.

Image courtesy of Michèle Montas.

Radio Haiti's programming from November 28, 1986.
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Radio Haiti's programming from November 28, 1986, commemorating the events of November 28, 1980 (when the Duvalier government cracked down on the independent media and human rights activists) and November 28, 1985 (when the army killed three schoolboys, catalyzing popular resistance to the regime).

Image courtesy of the Rubenstein Rare Book and Manuscript Library at Duke University.

Supported by an NEH grant in 2015, Duke University is preserving and making accessible the comprehensive audio and written archives of Radio Haiti from the 1960s through 2003.  The Radio Haiti collection, part of Duke’s Human Rights Archive, contains over 3,000 recordings as well as reams of paper records, all of which will be stored in Duke’s digital repository.  In partnership with the Forum for Scholars and Publics at Duke, the Library will also place digital copies of the recordings in Haitian libraries.  You can now listen to a selection of 50 digitized audio recordings on the project’s pilot site.  For example, in a 1968 interview, historian Roger Gaillard talks about his work on the U.S. Marines’ occupation of Haiti in 1915.  A 1972 interview with renowned painter Rose-Marie Desruisseau reveals the role of vodou symbolism, dreamlike imagery, and sexuality in her paintings.  A 1980 report from Miami sheds light on the Haitian “boat people” seeking political asylum in the United States.  Several mid-1980s interviews with farmers and leaders of grassroots peasant organizations discuss the “rice wars,” unrest stemming from the importation of rice from the United States.  The site features a short video on preserving the recordings, and the project blog tracks the effort to make them publicly accessible, so that “Radyo Ayiti pap peri” (“Radio Haiti will never perish”).  Tune in today!

The members of the Radio Haiti team in 1995.
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The members of the Radio Haiti team in 1995. Back row: Jean Claude (Fanfan) Mathieu; Guerlande Éloi, Jean Roland Chery, Maggy Dazema, Sony Estéus, Michèle Montas, Pierre Emmanuel (Manno). Seated: Wilfrid Lavaud (Ti Do), Jan (J.J.) Dominique, Paul (Paulo) Dubois, Fritson Orius, Georges Muller Polistin.

Image courtesy of Michèle Montas.

Relaxing in the newsroom on Radio Haiti’s sixtieth anniversary, 1995.
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Relaxing in the newsroom on Radio Haiti’s sixtieth anniversary, 1995: musician Beethova Obas, Wilfrid Lavaud (Ti Do), Paul (Paulo) Dubois, Pierre Emmanuel (Manno). Background: Maggy Dazema, sound technician Septimus André.

Image courtesy of Michèle Montas.

Funding information

Duke University received NEH support through Humanities Collections and Reference Resources grant PW-226836.

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